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home galleries intertextuality abstract cosmos analogue artwork digital work urban art intertextuality artwork intertextuality atavism nicosia collages universal human triptych somagrams dark matter kosmos (κόσμος) earlier work tags collage ( 7 ) nicosia ( 7 ) syntagma ( 1 ) exarchia ( 7 ) the office ( 4 ) metro art ( 2 ) psiri ( 5 ) urban art ( 41 ) london ( 20 ) tacheles ( 2 ) anarchy ( 9 ) shoreditch ( 16 ) brick lane ( 13 ) metaxourgeio ( 1 ) exhibitions ( 2 ) abstract ( 20 ) atavism ( 1 ) street art ( 31 ) athens ( 14 ) tags ( 2 ) architecture ( 2 ) berlin ( 3 ) cosmos ( 2 ) intertextuality ( 37 ) underground art ( 2 ) tags bio contact contact newsletters artwork intertextuality by posted on 1st march 2018 6th june 2018 universal human triptych by posted on 1st march 2018 6th march 2018 nicosia collages by posted on 27th february 2018 3rd april 2018 somagrams by posted on 26th february 2018 16th july 2018 facebook twitter instagram subscribe home galleries intertextuality abstract cosmos analogue artwork digital work urban art intertextuality artwork intertextuality atavism nicosia collages universal human triptych somagrams dark matter kosmos (κόσμος) earlier work tags tags ( 2 ) psiri ( 5 ) syntagma ( 1 ) architecture ( 2 ) athens ( 14 ) exarchia ( 7 ) nicosia ( 7 ) the office ( 4 ) atavism ( 1 ) underground art ( 2 ) cosmos ( 2 ) london ( 20 ) collage ( 7 ) tacheles ( 2 ) intertextuality ( 37 ) urban art ( 41 ) abstract ( 20 ) brick lane ( 13 ) metaxourgeio ( 1 ) exhibitions ( 2 ) berlin ( 3 ) street art ( 31 ) metro art ( 2 ) anarchy ( 9 ) shoreditch ( 16 ) tags bio contact contact newsletters exhibitions intertextuality: exhibition at boulangerie bon matin until 30th july by posted on 4th june 2018 5th july 2018 view post galleries intertextuality evolution of a poster by posted on 1st march 2018 6th march 2018 view gallery artwork galleries intertextuality by posted on 1st march 2018 6th june 2018 view gallery galleries intertextuality london 10 by posted on 1st march 2018 6th march 2018 view gallery digital work galleries alchemy by posted on 1st march 2018 6th march 2018 view gallery galleries intertextuality london 9 by posted on 1st march 2018 6th march 2018 view gallery galleries intertextuality intertextuality in exarchia, athens part 7 by posted on 1st march 2018 6th march 2018 view gallery galleries intertextuality london 8 by posted on 1st march 2018 6th march 2018 view gallery artwork galleries universal human triptych by posted on 1st march 2018 6th march 2018 view gallery galleries intertextuality psiri, athens part 5 by posted on 1st march 2018 6th march 2018 view gallery galleries intertextuality london 1 by posted on 24th february 2018 6th march 2018 view gallery full om is the website of artist, designer and photographer david roskilly, who lives and works in london. his work explores the idea of the intertextuality that exists on every surface of the modern visual environment, mostly unobserved but always present and it’s historical and continuing communication. it raises questions as to where this dialogue originates from and to where it extends. it is also concerned with the occurrence of the abstract against this backdrop. read more intertextuality and the continuum of meaning intertextuality as a term was first introduced by the semiotician julia kristeva in the late sixties, meaning amongst other things that a literary work is not simply the product of a single author, but is created through its relationship to other texts and to the structures of language. kristeva proposed that all signifying systems are constituted by the manner in which they transform earlier signifying systems as, much in the same way, layer transforms layer on the surfaces of our city streets. if intertextuality is the shaping of a text's meaning by another text, then the visual environment that we are constantly exposed to must be shaped by what has come before, what is surrounding and the constant change, addition, subtraction and redaction by street artist, tagger, workman, political activist, advertiser and of course, weather. it’s also shaped by the journey we make as, mostly unconsciously, we are imprinted by what is in our surroundings. read the full text intertextuality and the continuum of meaning intertextuality as a term was first introduced by the semiotician julia kristeva in the late sixties, meaning amongst other things that a literary work is not simply the product of a single author, but is created through its relationship to other texts and to the structures of language. kristeva proposed that all signifying systems are constituted by the manner in which they transform earlier signifying systems as, much in the same way, layer transforms layer on the surfaces of our city streets. read more if intertextuality is the shaping of a text's meaning by another text, then the visual environment that we are constantly exposed to must be shaped by what has come before, what is surrounding and the constant change, addition, subtraction and redaction by street artist, tagger, workman, political activist, advertiser and of course, weather. it’s also shaped by the journey we make as, mostly unconsciously, we are imprinted by what is in our surroundings. if a text is constituted only in the moment of its reading then the visual environment is constituted literally in the moment of it’s experience. read the full text galleries galleries intertextuality by posted on 1st january 2018 6th march 2018 view galleries galleries cosmos by posted on 1st january 2018 6th march 2018 view galleries galleries artwork by posted on 1st january 2018 6th march 2018 view galleries galleries abstract by posted on 1st january 2018 6th march 2018 view galleries galleries analogue by posted on 1st january 2018 6th march 2018 view galleries abstraction isolate anything enough from it’s surroundings and it immediately takes on the quality of abstraction. it’s interesting that artists throughout history and particularly those abstract artists like jackson pollack or john hoyland should spend so much time agonising over making a mark when workmen do it perfectly and just so on the streets every day without ever agonising or even particularly thinking about it. unused wooden panels stacked up against a fence in a garden, forgotten and left to the elements become perfect and complex abstract works when the correct process of observation and isolation happens. cosmos texture and wear on a black wall of a derelict building in a backstreet of an old city seems to contain everything that exists anywhere, perfectly harmonious and in a sublime state of order. it’s fundamentally paradoxical that an ordered system or a system where order prevails can occur in the chaos of the analogue world but it seems that it can and it does. of course that same cosmos can be seen in everything at any time if we can manage to focus finely enough and so adopt the sufficiently increased levels of magnification required. but some things just seem to suggest it stronger to me than others. analogue if analogue is constituted of signals or information represented by a continuously variable physical quantity, it’s only in the recent decades of focus on the digital domain that we compare finite resolution with the infinite resolution of nature. the palm trees were photographed with the finite resolution of a digital camera but observed with the infinite resolution of the human eye and brain. there is a deeper quality of intertextuality here but although i have stared at the same palm trees on the same beach over some years they still remain mysterious to me. analogue asks questions that require more than the function of thinking to resolve. abstraction isolate anything enough from it’s surroundings and it immediately takes on the quality of abstraction. read more it’s interesting that artists throughout history and particularly those abstract artists like jackson pollack or john hoyland should spend

URL analysis for 403forbidden.co.uk

http://www.403forbidden.co.uk/tags/intertextuality
http://www.403forbidden.co.uk/#collapse-5b57246a58cd6
http://www.403forbidden.co.uk/#top
http://www.403forbidden.co.uk/tags/intertextuality/
http://www.403forbidden.co.uk/galleries/abstract
http://www.403forbidden.co.uk/#search
http://www.403forbidden.co.uk/privacy-policy
http://www.403forbidden.co.uk/“/bio/“
http://www.403forbidden.co.uk/#collapse-5b57246a4759f
http://www.403forbidden.co.uk/galleries/artwork
http://www.403forbidden.co.uk/galleries/cosmos
http://www.403forbidden.co.uk/#collapse-5b57246a58c0d
http://www.403forbidden.co.uk/galleries/intertextuality
http://www.403forbidden.co.uk/galleries/analogue
http://www.403forbidden.co.uk/#collapse-5b57246a58b3a

Whois Information

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Domain name:
403forbidden.co.uk

Registrant:
David Roskilly

Registrant type:
UK Individual

Registrant's address:
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
123-Reg Limited t/a 123-reg [Tag = 123-REG]
URL: http://www.123-reg.co.uk

Relevant dates:
Registered on: 07-Oct-2008
Expiry date: 07-Oct-2018
Last updated: 08-Mar-2018

Registration status:
Registered until expiry date.

Name servers:
ns1.uk46.siteground.eu
ns2.uk46.siteground.eu

WHOIS lookup made at 06:47:56 16-May-2018

--
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Copyright Nominet UK 1996 - 2018.

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS 403forbidden.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION David Roskilly

TYPE
UK Individual

ADDRESS
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

  SPONSOR 123-Reg Limited t/a 123-reg [Tag = 123-REG]

  CREATED 2008-10-07

  CHANGED 2018-03-08

STATUS
Registered until expiry date.

NSERVER

  NS1.UK46.SITEGROUND.EU 77.104.180.46

  NS2.UK46.SITEGROUND.EU 77.104.130.146

  NAME 403forbidden.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2018.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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